Alexandra is spending the weekend at her parents' house. As she arrives at the familiar apartment, nobody's home. Yet successively, the mother, a friend of the family and the father get in. The rooms, which were quite in the beginning, slowly fill up with noises, conversations and activity. Alexandra withdraws from the social world of the family structure repeatedly. Finally, the mother, the father and the friend go to the movies together. Alexandra is left behind by herself.

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The unfulfilled dreams of his parents and the tensions created at home cause life to become a nightmare for a youngster who seeks release in a withdrawal to his own world.

The lives of two sisters change forever one winter morning.

Vaccuum salesman Evert makes the rounds in a suburban Stockholm apartment building, getting brief glimpses of the various tenants' lives. During the course of the day, he meets an arguing married couple, a lonely older woman and a younger couple preparing an anxious dinner.

Based on the story by Arkady Gaidar "R.V.S." The film is silent and black-and-white. It has not survived completely.

While more and more people share a large part of their lives on the internet, a particularly radical criminal is wreaking havoc in the tranquil town of Heide. He spies on his victims, kills them, and later posts photos of their corpses online. These macabre photos, visible to the whole world, are like trophies to the killer. Young martial artist Natascha teams up with young police officer Axel to track down the murderer.

In 1982, Robert Frank was on hand at the Naropa Institute in Boulder, Colorado, to film the Jack Kerouac Conference, a 25th-anniversary commemoration of On the Road in which poignantly aging Beats and fellow-traveling authors, activists, and composers (Allen Ginsberg, William Burroughs, Gregory Corso, Michael McClure, Herbert Huncke, Anne Waldman, Lawrence Ferlinghetti, Ken Kesey, Abbie Hoffman, David Amram) gathered on a rain-swept Chautauqua porch to recite poetry and raise a glass to their patron saint. Particularly memorable is Frank’s humorous encounter with a group of grizzled and well-lubricated onlookers. — Museum of Modern Art

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This game was patterned after Name That Tune. Two teams consisting of a contestant paired up with a celebrity tried to identify a song. Money would be awarded for a correct response and deducted for an incorrect response. The contestant on the winning team would play a bonus round in which they had to identify ten songs in one minute. They could ring a buzzer if they couldn't recognize a song right away.